{"id":18117,"date":"2020-05-12T18:50:42","date_gmt":"2020-05-12T16:50:42","guid":{"rendered":"https:\/\/proacomunicacion.es\/?p=18117"},"modified":"2020-05-12T18:50:42","modified_gmt":"2020-05-12T16:50:42","slug":"cinema-has-always-adapted-to-change","status":"publish","type":"post","link":"https:\/\/proacomunicacion.es\/en\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/","title":{"rendered":"\"Cinema has always adapted to change\"."},"content":{"rendered":"<p><a href=\"https:\/\/twitter.com\/Jerojose2002?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor\">Jer\u00f3nimo Jos\u00e9 Mart\u00edn<\/a>, critic for COPE, TRECE TV, Fila 7, Aceprensa and president of the C\u00edrculo de Escritores Cinematogr\u00e1ficos (CEC), has taken part in a new video by PROA Comunicaci\u00f3n. As well as giving his views on what influence the coronavirus crisis will have on the film industry, he gives his opinion on the direct aid granted to the sector compared to other areas of culture. He also briefly reviews the content of one of his latest exhibitions, in which he argues that contemporary cinema deals with emotional levels and conflicts that classical cinema took for granted.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/qPBzd8xIET8\" width=\"910\" height=\"515\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\"><\/span><\/iframe><\/p>\n<h4 style=\"text-align: justify;\"><strong>This text and video may be reproduced provided that PROA Comunicaci\u00f3n is credited as the original source.<\/strong><\/h4>","protected":false},"excerpt":{"rendered":"<p>Jer\u00f3nimo Jos\u00e9 Mart\u00edn, cr\u00edtico de la COPE, TRECE TV, Fila 7, Aceprensa y presidente del C\u00edrculo de Escritores Cinematogr\u00e1ficos (CEC), ha participado en un nuevo v\u00eddeo de PROA Comunicaci\u00f3n. Adem\u00e1s de exponer su visi\u00f3n sobre qu\u00e9 influencia tendr\u00e1 la crisis del coronavirus en la industria cinematogr\u00e1fica, opina sobre las ayudas directas concedidas al sector frente [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":18120,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[176],"tags":[],"class_list":["post-18117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u201cEl cine siempre se ha adaptado a los cambios\u201d - PROA Comunicaci\u00f3n<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/proacomunicacion.es\/en\/cinema-has-always-adapted-to-change\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cEl cine siempre se ha adaptado a los cambios\u201d - PROA Comunicaci\u00f3n\" \/>\n<meta property=\"og:description\" content=\"Jer\u00f3nimo Jos\u00e9 Mart\u00edn, cr\u00edtico de la COPE, TRECE TV, Fila 7, Aceprensa y presidente del C\u00edrculo de Escritores Cinematogr\u00e1ficos (CEC), ha participado en un nuevo v\u00eddeo de PROA Comunicaci\u00f3n. Adem\u00e1s de exponer su visi\u00f3n sobre qu\u00e9 influencia tendr\u00e1 la crisis del coronavirus en la industria cinematogr\u00e1fica, opina sobre las ayudas directas concedidas al sector frente [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/proacomunicacion.es\/en\/cinema-has-always-adapted-to-change\/\" \/>\n<meta property=\"og:site_name\" content=\"PROA Comunicaci\u00f3n\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-12T16:50:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/proacomunicacion.es\/wp-content\/uploads\/2025\/08\/Firefly_radio-de-barco-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1414\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"PROA Comunicaci\u00f3n\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@proacomunica\" \/>\n<meta name=\"twitter:site\" content=\"@proacomunica\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"PROA Comunicaci\u00f3n\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/proacomunicacion.es\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/proacomunicacion.es\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/\"},\"author\":{\"name\":\"PROA Comunicaci\u00f3n\",\"@id\":\"https:\/\/proacomunicacion.es\/#\/schema\/person\/f80dc8938ea94e7f8aa1e8dc716d5a60\"},\"headline\":\"\u201cEl cine siempre se ha adaptado a los cambios\u201d\",\"datePublished\":\"2020-05-12T16:50:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/proacomunicacion.es\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/\"},\"wordCount\":135,\"publisher\":{\"@id\":\"https:\/\/proacomunicacion.es\/#organization\"},\"image\":{\"@id\":\"https:\/\/proacomunicacion.es\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/#primaryimage\"},\"thumbnailUrl\":\"\",\"articleSection\":[\"Blog\"],\"inLanguage\":\"en-GB\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/proacomunicacion.es\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/\",\"url\":\"https:\/\/proacomunicacion.es\/el-cine-siempre-se-ha-adaptado-a-los-cambios\/\",\"name\":\"\u201cEl cine siempre se ha adaptado a los cambios\u201d - 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