News

Twitter lies down on the sofa

The other day I ran into an old friend. Luis. He is 42 years old. He lives alone in Madrid. And he is a staunch fan of Alberto Chicote's programme. But, curiously, he doesn't like cooking. What he likes is something else. Luis is part of the group that has become hooked on the phenomenon of social television or Social TV.,  which always seems to sound better in English.

What is it? We can get bogged down with complex definitions (in reality, the concept is quite broad because it refers to everything to do with interactive television.  (here you can see what it covers), but my friend Luis offers a simple explanation of this phenomenon:  sitting on the sofa to watch TV not only with the remote control but also with the mobile phone or the iPad, so that you can comment on the TV and watch it on the move. the play. Where and with whom is it discussed? There are several options (and applications specific) but the one that seems to be winning the race is Twitter. Using the  hashtag qhe presenter is in charge of remembering - if he does not appear fixed on the side of the screen - one watches the programme and sees or launches the comments it generates.

Don't tell me you have never practiced social television? Well, you must be one of the few.  According to a recent study by  Nielsen, 80% of TV viewers use their mobile device as a second screen while watching TV. 

And according to another study, in this case by Viacom, the 72% of users comment on social networks  with their friends about the programmes they are watching. This weekend, for example,  the solidarity gala of Tu Cara Me Suena, of Antena 3 (yes, that one that won Roko with her Amy Winehouse impersonation and which was followed by more than two million viewers, 17% of the audience).  broke records on Twitter  with more than 81,000 comments. That's about 311 comments per minute, to give you a better idea. The programme achieved 32 trending topics national and 15 world championships.  

The same or similarsocial-tv3or it can be said of many other Spanish television programmes... and foreign ones.

Naturally, television broadcasters are delighted with a phenomenon that they are already showing off to advertisers. Nielsen and Twitter have already started to measure it for them. communication officers, The marketing and advertising companies, always on the lookout for ways to get closer to their customers, are taking note of this new way of watching television.

But are we really facing a change in viewers' consumption habits, as the networks and some experts say?

Frankly, I don't think so. And allow me to be transgressive. In reality, technological distances aside, this is a return to the past.

Don't you remember that old picture of the whole family sitting around the sofa watching a television programme and discussing the play and  asking others to keep quiet so as not to lose the thread? Eurovision - in the good old days, of course - was one of those events, like Un, Dos, Tres. Just like many others, when television was that device that brought the family together around the sofa and not a gadget that, as it is now, has multiplied like the miracle of the loaves and pfamily_tvecess and it is in the living room, in the kitchen, in the bedrooms, on the terraces... and, in some cases, even in the bathroom. Yes, yes, in the bathroom.

What Twitter has done  and other social networks is to give us back that pleasure of watching television in companyTo be able to see and comment, to share the emotions that it generates in us... With the difference that now we don't even need to be physically together. Nor do friends have to be friends. What social networks have done is to widen the options for us.  for humans to cover that need so primary, so ours: to communicate, to share with others our emotions, ideas, feelings, suggestions, joys, rages, hatreds... But that, sorry for those who are still reluctant to fall into social networks, I have no choice but to warn that they are not and will not be a fad.  They have come and they are here to stay. Because they are based on something intrinsic to the human being: their need to communicate and socialise with others.

So let's not go crazy. From a technological point of view, it is true that we are facing a great revolution. But seen from a sociological point of view, social networks are nothing more than a reflection in another mirror -okay, yes, a mirror in which reality appears magnified and runs much faster- of situations that we already know and have experienced in the past. The only - and important - difference is that now they are not subject to the corsets of the physical world. And that, from a human point of view, should be seen as a positive element.

@consuelocalle_

Director of Proa Comunicación

Pilar Urbano at the Proa Observatory: "In the Nóos Case, the ethics of the Royal House and the impartiality of Justice are under suspicion, only the judge is saved".

"Having the last word does not mean having the truth", said Pilar Urbano presenting her book 'La Pieza 25', key to understanding the ins and outs of the 'Nóos case', but with a certain irony she recommended "not to read the last three pages so as not to fall into melancholy. They are the pages dedicated to the sentence....

Minuto de oro o minuto de la basura?, article by Pablo Carbajosa in Vozpópuli

Pablo Carbajosa, head of Effective Writing and Public Speaking at Proa Comunicación, has reflected in an article published in Vozpópuli on the electoral campaigns and the mistakes being made by the different political options. Under the headline "¿Minuto de oro o minuto de la basura", Carbajosa is categorical about the...

The challenges of Brand Spain

Javier Martín-Domínguez, president of the International Press Club, has analysed the challenges of Brand Spain in the videos of the tenth anniversary of Proa Comunicación. He also summarised the evolution of communication and how it has been influenced by the irruption of new technologies, giving as an example the decisive role of...

Manuel Conthe, protagonist of the Proa Communication Observatory

Coinciding with the opening of our new offices, located on Gran Vía 39 first floor, Proa Comunicación has resumed the celebration of the Communication Observatories in which, as you know, we address current issues with a relevant speaker. Well, the thirteenth edition of the Proa Observatory of...

Proa Communication's Digital Director Moderates a Roundtable on Cybersecurity and Robots

Bárbara Yuste, director of digital communication at Proa Comunicación, participated in a roundtable last Friday, November 15, about "New Professional Profiles" organised by the Spanish Digital Foundation. This roundtable was part of the Digital Employment Forum that took place at La Nave in Madrid. During the debate, Fernando Davara, president...

Pablo de Villota -- F1 drivers or comedians on the net? Old school resists 'racing tiktok'.

Pablo de Villota, head of Sports Sponsorship at PROA, writes an article for El Confidencial on the need to attract a young audience for F1 drivers and media return, which is forcing them to enter into a dynamic that is also distorting the sporting side of things. ....

More conversations, more ideas, more PROA.
Follow us on our networks.

Receive ideas with criteria

Every week we share reflections, trends and the key aspects of about reputation, strategic communication, public affairs and innovation. Content designed for professionals who value information with diligence and perspective.